Flavia, Missing Woman

Well, no, Flavia Domitilla isn’t missing completely. She comes to life in the pages of Rubies of the Viper. It’s only in history that she goes missing.

And that was the fate of the vast majority of women throughout history, including first-century Roman women. It wasn’t that they didn’t live good, satisfying lives. We have to hope they did. But they left no record that endured beyond their deaths… which unfortunately came very early to most of them. (See What Theodosia Never Learned for more on the lives of upper-class Roman women.)

The best proof is the illustration on this page. Do a Google search on any of the three emperors in the famous Flavian dynasty—Vespasian, Titus, Domitian—and you’ll turn up plenty of contemporary sculptures showing their strong, masculine faces. But search for Vespasian’s daughter/Titus and Domitian’s sister and you get what you see here: a single coin. That’s it. And we only have that because, after her death, Emperor Domitian declared her a goddess and punched out a series of coins with her image. Luckily, at least one of those coins survived.

I find the profile portrait on this coin fascinating. With her classic Roman nose and jutting chin, Flavia Domitilla looks exactly as I picture the entire clan, based on those busts of the three Flavian emperors.

Even Flavia Domitilla’s name betrays the anonymity of her life. This particular woman’s mother was named Flavia Domitilla, and her daughter was named Flavia Domitilla. Typical for the time. Women took feminine versions of their fathers’ and husbands’ names. If there was more than one daughter in the family, they were all named the same… set apart from each another only as prima (first), secunda (second), tertia (third), and so on. Emperor Vespasian’s wife and daughter were distinguished from one another as Flavia Domitilla Major (elder) and Flavia Domitilla Minor (younger).

Flavia Domitilla Minor was born around A.D. 45 and died around A.D. 66. Specific dates aren’t known. Both mother and daughter died before Vespasian became emperor in A.D. 69. The younger Flavia’s husband was a military man; her daughter, Flavia Domitilla, is revered as a saint in the Greek Orthodox Church. That’s just about all we know about Vespasian’s daughter.

So… I had a true tabula rasa to play with in portraying Flavia Domitilla (the middle one) in Rubies of the Viper.

As revealed in the Historical Note at the end of my novel, for story purposes I made her a few years older than she was in real life in A.D. 53-56 and invented a non-military husband for her. In the book, she’s a girl in her early teens, with an impish, vibrant personality. Here are two snippets of dialogue from Chapter Three that I believe capture the essence of such a girl and her relationship with her father, brother and new friend, Theodosia:

A year or so younger than her brother and pretty in an immature way, Flavia exuded warmth and self-assurance.

“I’ve been dying to meet you, Theodosia. Actually, everyone’s been curious, even Father.”

“But we really didn’t come just to gawk,” Vespasian said, “despite what Flavia says. So… just ignore her.”

“That’s all he ever does,” Flavia said. “Ignore me.”

“We came to invite you to dinner—”

“See? Ignoring me!”

“To meet the neighboring landowners. Important folk, all of them. Interested?”

Theodosia laughed at this example of resolute ignoring.

“Yes, but… only if you’ll stay and have lunch with me today. Eating alone is going to get old fast. I can see that already.”

* * *

Titus sat down next to Theodosia and laid his hand on her arm.

“How is it that you’re not married yet?”

“Never found anyone I wanted to marry who wanted to marry me. And at this point, I’m probably too old.”

“Not a chance!” said Vespasian.

Flavia had pulled a roll apart and was stuffing it with cheese. Now she stared into Theodosia’s face.

“That’s unbelievable. Someone as beautiful as you had no suitors?”

“Nobody I’d consider. A couple of greasy freedmen. What Roman nobleman wants an orphaned, half-Greek girl with no dowry?”

Flavia shook her head in mock sympathy, her eyes agleam.

“Oooooh, well… I guess that’s one thing you needn’t worry about any more!”

Theodosia felt a blush creep into her cheeks. Titus’ hand on her arm suddenly felt very warm; she slipped out from under it on the pretense of reaching for a roll.

—text copyright © Martha Marks—

A Rare Breed

First-century Roman emperors have a bad reputation. Cruel. Demented. Lascivious. Spendthrift. That stereotype holds true for some (Caligula, Nero, Domitian), but it’s not fair to them all. A few first-century emperors used their power quite well.

Two who most definitely did not fit the stereotype were Emperor Vespasian and his son, Emperor Titus… dubbed “mankind’s darling” by his contemporaries.

Some time back, the members of Amazon’s Ancient Rome discussion forum conducted an in-house poll on this question: Who were the best Roman emperors? Opinions differed, but two men showed up at the top of all the lists: “The Flavians” Vespasian and Titus.

That was no surprise to me. Years ago, when I started work on Rubies of the Viper, my story really began taking shape after I discovered the Flavians. They were just what I was looking for: a true-life family of down-to-earth, first-century Romans living quietly in the country north of Rome, where much of my story would take place. They were the right people in the right time and place who added tremendous historical texture to the story I was building around my fictional co-protagonists, Theodosia and Alexander. As an extra bonus, three members of the family went on to become emperors, which gives them more than passing interest for history buffs. (They also offered great potential for a sequel should I ever decide to write one, as I now am.) I spent a great deal of time researching the Flavian family, was impressed with what I learned, and went to great lengths to portray them accurately.

The Flavians weren’t old-guard, moneyed aristocrats. Vespasian’s father was a tax collector… not high-status work. His wife, Flavia Domitilla, died young (as the majority of women did), leaving Vespasian to raise his children alone. He did have a freedwoman mistress to whom he was devoted for many years and whom he tried—bucking fierce social opposition—to move into the palace as his consort when he became emperor.

In addition to Titus, Vespasian had a second son, Domitian (Emperor Domitian), and a daughter named, like her mother, Flavia Domitilla. (And that daughter would go on to have her own daughter named—guess what?—Flavia Domitilla. Such was the fate of Roman women… virtually no personal identification.)

The Flavian men’s actual Latin names are confusing, too, though not quite so much as their women’s. Vespasian, the father, was Titus Flavius Sabinus Vespasianus the Elder; his first son (the future Emperor Titus) was Titus Flavius Sabinus Vespasianus the Younger; and his second son (the future Emperor Domitian) was Titus Flavius Domitianius. Got that straight, gentle reader?

Of the male members of this family’s two generations who became emperors, Vespasian and Titus went down in history as great leaders. Ultimately, Domitian would tarnish the family name, but neither his father, nor his brother, nor his sister lived to see it. And even his vile actions—Domitian was a big-time persecutor of early Christians, earning himself the moniker of “Second Nero” —could not destroy their own fine reputations.

Since all four Flavians—Vespasian, Titus, Domitian, and Flavia Domitilla—play roles in Rubies of the Viper, I’ll add separate posts about each of them, exploring who they were and why they earned the historical reputations that they have.

—text copyright © Martha Marks—